“Anora”: The Academy Praising Soft-Porn Again
The drama directed by Sean Baker is a perfect display of the entertainment industry’s fixation with explicit content.
“Heretic”: Exploring the Intricacies of Religion and Faith
Starring Hugh Grant as the villain, this A24 production raises questions on the importance and meaning of religions for people.
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Christmas Battle: “Sonic 3” vs. “Mufasa”
A brief account of the two biggest releases of the Christmas season and their theater run so far.
“Nosferatu”: A Somber but Visually Delightful Gothic Tale
Based on the silent movie of the same name, Robert Eggers offers a visually impactful retelling of the gothic story.
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“Conclave”: Progressivism Taking Over the Church in Real Time
The new thriller directed by Edward Berger portrays the disagreements within the Church on how to present itself in these modern times.
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“Moana 2”: Disney At its Laziest
After the huge success that was Inside-Out 2, it seemed like Disney was ready to return to the good old days. Maybe it was too soon to get excited.
The Last Horrors of 2024: 4 Films to Never Look Back On
A short and random list of horror films that I don’t think I’ll ever revisit, to close the year.
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“Smile 2”: Horror That Haunts You For Days
Director Parker Finn brings the fear to new levels with the sequel to his 2022 success.
“Kraven the Hunter”: The Last Nail in Sony’s Spider-Man Coffin
We thought Madame Web was bad, but Sony had yet another jewel ready for us to close 2024.
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“Emilia Pérez”: Pretentious Nonsense That Claims to Be Artistic
Aside from Wicked, musicals have taken a beat this year. But this film by French director Jacques Audiard must be the worst crime so far.
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